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Dutch ships on rough seas 17th Century

17th Century

The Old Mill is a 19th century oil painting on board by Scottish artist Colin Hunter, (1841-1904). Hunter was a member of the Royal Academy with the title...

Alfred de Breanski, Sr. (British) is one of the most renowned 19th century landscape artists, known for his plein art style, both realistic and idyllic. Breanski set up his easel across the Scottish Highlands, Wales and rural England as in this gem, titled 'A Suffolk Landscape...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist, but his work was exhibited in galleries in northeastern England and Edinburgh from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

Contemporary impasto oil painting rendering a traditional croft and loch scene in rich color with a modern aesthetic, by British artist Charles Wyatt Warren (1908-1993). Mountains w...

Summer Sailing! Vivid and highly textured Impressionist oil painting on canvas, ‘Harbor Scene’ gets attention with its palette of rich color. This 20th century painting makes an impa...

Modernity juxtaposed with history, as the steam locomotive passes plough horses in the field. A photorealist oil painting on board that captures the industrial post war transition. Gerald Bloom, born 1944, is a British artist known for his realistic paintings of trains...

Peasants Preparing A Carcass Of Pork Bartholomeus Molenaer Haarlem (1618-1650) Description by Bartholomeus Molenaer Haarlem circa 1618-1650 The interior of the barn with peasants preparing a pig carcass signature traces on the table in the lower center oil on oak panel without frame: 48.3 x 64.6 cm. ; 19 x 25 3/8 inches framed: 60.5 x 82 cm .; 23 7/8 x 32 1/4 inches Provenance With J. Leger & Son, London and Brussels, in 1932 (as Isaac van Ostade); Anonymous sale, Amsterdam, Art & Antiques Group...

Oil on canvas, signed in the lower left and presented in a magnificent carved and gilt frame. This painting has a wonderful atmosphere to it and measures 40" x 56" including the fram...

Work on wood Golden wooden frame 23 x 25 x 3 cm

Duck Family By. David Adolph Constant Artz (Dutch, 1837-1890) Signed Lower Left Unframed: 9" x 12" Framed: 17" x 18.5" David Adolf Constant Artz was a 19th-century Dutch painter an...

This painting is in excellent condition having been behind glass until recently. The colours are preserved and the canvas is blemish free. Artwork Size: 30 x 36" (76 x 91cm) Artwor...

Jacob VAN STRIJ (Entourage of) Dordrecht, 1756 - 1815 Oil on panel 46 x 60 cm (64.5 x 79 cm with the frame) Inscription on the back “Van der Eyden? » Very beautiful 19th century frame in gilded wood Very good condition (only a few stains) Our painting is very close to the art of Jacob van Strij studied and may have been painted in the circle of this artist. Jacob van Strij studied at the Academy of Painting in Antwerp and with Andreas Lens. Back in Dordrecht, he became a landscape painter. Both individually and with his brother Abraham, he painted various wallpapers for clients in Dordrecht. According to Jacob van Strij biographer Johannes Immerzeel, “His passion and concern for faithfully imitating nature went so far that Van Strij, as ill as he was (for years Van Strij was plagued with gout) he asked someone to pull his sled along the ice in the biting cold in order to make sketches for his paintings, which he then executed in his workshop ”. Van Strij used these sketches for various paintings. He was inspired by 17th century old masters, in particular Albert Cuyp...